Article · Wikipedia archive · Last revised Jun 2, 2026

Chanking

Chanking is a guitar performance technique in funk music that involves both "choking" the guitar neck and strumming the strings percussively to create a distinctive-sounding riff commonly associated with the genre. The technique was popularized by the music of James Brown, later spreading to other genres and performers.

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Jun 2, 2026
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Chanking is a guitar performance technique in funk music that involves both "choking" the guitar neck and strumming the strings percussively to create a distinctive-sounding riff commonly associated with the genre.1 The technique was popularized by the music of James Brown, later spreading to other genres and performers.

Etymology

The name "chanking" is either a portmanteau of the words "choking" and "yanking", referring to the procedure involved in the technique, or simply onomatopoeia - a word that sounds like what it describes.

History

Chanking was developed by James Brown band guitarist Jimmy Nolen as a part of his signature "chicken scratch" sound. The technique appeared first with a double-chank on the first backbeat of each bar in "Out of Sight" (1964),2 and in "Papa's Got a Brand New Bag" (1965), a song that typified much of Brown's subsequent work.3 "Chicken scratching" itself differs slightly: the fretting hand lightly squeezes the chord on the neck, then releases suddenly to produce a scratch chord.4 In particular, Brown used chanking against syncopated bass to produce a unique blend of sounds.1

The technique of chanking spread from funk to reggae music.35 Alan Warner, then of The Foundations, also utilized the technique, which left its sound legacy in Europop.5

References

References

  1. Appell, Glenn; Hemphill, David (2006). American Popular Music: A Multicultural History. Thomson Wadsworth. p. 320. ISBN 0-15-506229-8. Retrieved 2012-01-17.
  2. Williams, Richard (2010). The Blue Moment, p.210. W. W. Norton. ISBN 9780393076639.
  3. The Wire. Vol. 173–178. C. Parker. 1998. p. 28. Retrieved 2012-01-17.
  4. Woods, Tricia; Green, Raleigh (2008). The Versatile Guitarist National Guitar Workshop. Alfred Music Publishing. ISBN 978-0-7390-4805-4. Retrieved 2012-01-17.
  5. Shapiro, Peter (2006). Turn the Beat Around: The Secret History of Disco. Macmillan. pp. 53, 94. ISBN 0-86547-952-6. Retrieved 2012-01-17.
Further reading

Further reading

  • Gress, Jesse (2009). "How 2 Play Like Prince". Guitar Player Magazine]. Retrieved January 10, 2012.
  • Scofield, John (May 1998). A Go Go. Jazz Times. p. 101.