Methexis

A simple graphic diagram showing four diverse tree illustrations at the top with arrows pointing down to a single generalized green tree shape at the bottom — A diagram illustrating graphically the generalization process, using trees source ↗

In theatre, methexis (Ancient Greek: μέθεξις; also methectics), is "group sharing". Originating from Greek theatre, the audience participates, creates and improvises the action of the ritual.

In philosophy, methexis is the relation between a particular and a Form (in Plato's sense); e.g., a beautiful object is said to partake of, or participate in, the Form of Beauty.¹

Methexis is sometimes contrasted with mimesis. The latter "connotes emphasis on the solo performer (the hero) separate from the audience," in direct contrast to the communal methectic theatrical experience which has "little or no 'fourth wall'".²

References

Mautner, Thomas (2005). Penguin Dictionary of Philosophy. p. 388.
Scott Giles, Freyda (1998). "Methexis vs. Mimesis: Poetics of Feminist and Womanist Drama". In Zack, Naomi (ed.). Race/Sex: Their Sameness, Difference, and Interplay.

External links

The dictionary definition of methexis at Wiktionary
The dictionary definition of methectics at Wiktionary

[1] Mautner, Thomas (2005). Penguin Dictionary of Philosophy. p. 388.

[2] Scott Giles, Freyda (1998). "Methexis vs. Mimesis: Poetics of Feminist and Womanist Drama". In Zack, Naomi (ed.). Race/Sex: Their Sameness, Difference, and Interplay.

1

2